Over at Pulp Pusher, I talk to the Tartan Noir kingpin about Last Year’s Man and gangster films.
‘We haven’t had a Q&A at Pulp Pusher for quite some time. So, I thought we should so something about that.
We’ve asked the one and only Paul D. Brazill along to tell us about his latest tome, LAST YEAR’S MAN.
TB: I just read the blurb for LAST YEAR’S MAN, and fuck me, it sounds a bit tasty … I’m hearing echoes of Get Carter in there. Tommy Bennet is an assassin with a hard paper-round, and he’s getting on a bit. What appealed about bringing him to life?
PDB: For sure, the shadow of the Brit comedy of my youth hangs over Last Year’s Man. The ghost of Galton and Simpson and especially the Tony Hancock of ‘Too many things went wrong too many times.’ Tommy’s had enough. He’s looking for respite. Takeshi Kitano’s sad-sack persona was also an influence – especially Sonatine and the end of Zatoichi.’