PDB: Can you pitch DEAD GONE in 25 words or less?
A serial killer in Liverpool is replicating infamous psychology experiments on his victims. DI David Murphy and DS Laura Rossi must track him down.
PDB: Which music, books, films or television shows have floated your boat recently?
I rarely listen to newer music, so I’ve been so listening to a lot of Gary Moore recently. Eva Dolan’s debut novel LONG WAY HOME, which is out in January, is ace. As is Sarah Hilary‘s out in Feb. Helen FitzGerald’s The Cry is my favourite of 2013 though. Astounding book. I watched and hated the final series of Dexter. A terrible ending to a fantastic show. I’ve just started watching Breaking Bad, around five or six years after everyone else. Enjoying it so far.
PDB: Is it possible for a writer to be an objective reader?
In some ways, yes. In some ways, no. I think it’s difficult to separate the two from your mind, in that you’re sometimes thinking ‘I wouldn’t have written it that way’, or ‘you’ve just revealed the twist there with foreshadowing’. In contrast, when you read a great book, you know it and realise the work that has gone into making it so. The Shining Girls spoke to me in that vein this year. I could just see the amount of planning and plotting that went into that book that I may not have a few years previous.
PDB: Do you have any interest in writing for films, theatre or television?
Not really. It’s a much different arena to write within as dialogue is king now. Whereas in a novel you can spend time building a scene up it’s much more difficult I imagine to do the same in a shorter space of time. Although, some of the TV shows I’ve seen normally just use rain as a tool to do this.
PDB: How much research goes into each book?
For Dead Gone quite a bit. All the psychological experiment aspects had to be checked and researched, which was difficult as some of them haven’t really been written about all that much. The policing in the book is quite close to reality, with some poetic license (less paperwork). It’s fiction though, so some things will be changed to fit the story. I spent some time visiting places in Liverpool that I hadn’t been to in 20 years, just to make sure my blurred memory matched up. That was fun research though!
I’d say it’s quite important. I’ve met a ton of awesome people via social media, so personally I’m grateful for that. I would have found it much more difficult to write the book in the first place without the support of so many. And anything that puts you in touch with readers is a good thing.
PDB: What’s on the cards for 2014?
Finish book two in January. It still has no title, which is a little weird, as I thought I’d have one by now. Then, I finish my degree in psychology and criminology in June. That’s been four years of work, so I’m looking forward to getting that done. A load of book festivals and drunken nights with other writers…sounds good to me!
Bio: Luca Veste is a writer of Italian and Scouse heritage. He also studies psychology and criminology at university in Liverpool. His first novel, Dead Gone, was released by HarperCollins imprint Avon in ebook form in December 2013, with the paperback coming out January 2014.
Dead Gone has been described as “chilling” by Mark Billingham, “Gripping” by Steve Mosby, and “quite dark, Luca…a little worrying” by his Grandma. Married, with two daughters, he hopes to sleep at some point before the year 2042.